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Two Lectures: Ellen Dissanayake and Jack Renard
April 15, 1999
MOCRA presents lectures by two distinguished scholars.
Ellen Dissanayake
“In the Beginning, Art”
An innovative scholar makes a case for an innate human drive to “make special,” drawing on evolutionary biology, anthropology and sociology.
is a scholar, lecturer, and author of three books, What Is Art For?, Homo Aestheticus (with translations into Chinese and Korean), and Art and Intimacy. Combining her interests in the arts and evolutionary biology, and using insights drawn from fifteen years of living and working in non-Western countries (Sri Lanka, Papua New Guinea, India, and Nigeria), she has developed a unique perspective that considers art to be a normal, natural, and necessary component of our evolved nature as humans. She has held Distinguished Visiting Professorships at Ball State University in Indiana, the University of Alberta, Edmonton, and the Institute for Advanced Studies at the University of Western Australia. Additionally, she has taught at the National Arts School in Papua New Guinea, the University of Peradeniya in Sri Lanka, Sarah Lawrence College, and the New School for Social Research in New York City. She lives in Seattle where she is Affiliate Professor in the School of Music at the University of Washington.
Jack Renard
“Words Alight: Islamic Calligraphy and the Art of Bernard Maisner”
A prominent scholar of Islam and Islamic culture brings his expertise to bear on the resonances between Islamic calligraphy and the illuminated manuscripts and paintings of artist Bernard Maisner.
joined the Saint Louis University Department of Theological Studies in 1978, after completing a Ph.D. in Islamic Studies, in Harvard University's department of Near Eastern Languages and Civilizations, focusing on religious literature in Arabic and Persian, and religious art and architecture. His research has centered on Islamic Humanities, with a specialization in the religious histories and literatures of major Middle Eastern cultures such as those of Egypt, Turkey, Iraq and Iran. He has concentrated particularly on medieval sources in Arabic and Persian related to the history of Sufism, Islamic mystical traditions, Islamic hagiography, and, most recently, comparative study of Islamic and Christian theologies.
Renard has taught a wide variety of graduate and undergraduate courses, including: Judaism, Christianity, and Islam; Religious Traditions of Asia; Islam: Religion and Culture; Islamic Art and Society; the religious arts of Hinduism and Buddhism; Comparative Theology; and Medieval Seminars on various topics within the greater Mediterranean world.
These lectures are presented In conjunction with the exhibition Bernard Maisner: Entrance to the Scriptorium, and are made possible by a grant from the .
above, from left:
Ellen Dissanayake and Jack Renard
Related programming
Bernard Maisner: “The Art of the Illuminator”
“The Hand Acts Out a Joyous Dance”: Celebrating the Art of Bernard Maisner
Listen to an interview with Ellen Dissanayake in Episode 12: Ellen Dissanayake.
Watch Jack Renard in So That You Know Each Other: Intercultural Reflections on Art, Beauty, and Islam
| Exhibition | |
|---|---|
| 2018-10-07 to 2018-10-14 | 
Walking in Hope: A Weeklong Celebration of the Canonization of Archbishop Oscar Romero |
| 2017-04-20 | 
“The Hand Acts Out a Joyous Dance”: Celebrating the Art of Bernard Maisner |
| 2016-09-25 | 
Erika Diettes: “Stories Told from the Threshold” |
| 2015-12-06 | 
So That You Know Each Other: Intercultural Reflections on Art, Beauty, and Islam |
| 2014-11-15 | 
John Handley: “The Religious Art of Pablo Picasso” |
| 2018-09-28 to 2018-09-29 | 
Fleur-de-Lis Floral Art Walk |
| 2014-02-23 | 
“The Economy of Gift” in Socially Engaged Art Practices: A Public Deliberation |
| 2013-10-02 | 
Art21: The Spiritual Light screening at CAM |
| 2013-03-02 | 
Rituals and Spirituality in the Performative Photographic Work of Maria Magdalena Campos-Pons |
| 2012-11-11 | 
Breaking Boundaries: A Conversation about the Art of Patrick Graham |
| 2012-05-20 | 
Stephen P. Durchslag: “The Jewish Experience and the Haggadah” |
| 2012-03-27 |
2012 Loyola Chair Lecture: “The Image of the Wounded Body of Christ and the Modern Social Consciousness” |
| 2011-10-06 |
2011 Loyola Chair Lecture: “The Pursuit of the Spirit: The Renewed Interest in the Spiritual and Religious Dimensions in Contemporary Art” |
| 2011-05-01 | 
Terrence Dempsey, S.J.: “Georges Rouault and the Art of Sacred Engagement” |
| 2010-11-15 |
Terrence Demspey, S.J.: “Creating a Religious Environment through Contemporary Art and Architecture” |
| 2010-03-28 |
Terrence Dempsey, S.J.: “The Wounded Body of Christ and the Modern Social Conscience” |
| 2009-12-01 | 
Day With(out) Art |
| 2009-11-15 | 
Michael Byron: “Cosmic Tears: Word and Image” |
| 2009-03-29 | 
Art and the Religious Imagination |
| 2008-04-15 | 
Wu Hung: “What Is Contemporary Chinese Art?” |
| 2007-10-07 | 
Celluloid Bible Classics: The Ten Commandments |
| 2007-11-04 | 
Celluloid Bible Classics: Ben-Hur |
| 2007-09-16 | 
Michael Morris, O.P.: “Moving Pictures: The Bible and Beyond” |
| 2007-03-30 | 
Peter Frank: “An Oskar Fischinger Tribute” |
| 2006-12-01 | 
Day With(out) Art |
| 2005-12-04 | 
Robert Rosenblum: “DoDo Jin Ming: An Art Historian's View” |
| 2003-09-07 | 
To Make Extraordinary: The Role of Sacred Objects in Life and Worship |
| 2002-05-04 | 
The Tuskegee Syphilis Experiment: A University Response |
| 2002-04-30 | 
Fred D. Gray: The Tuskegee Syphilis Experiment: A Study That Should Never Have Occurred |
| 2002-01-31 | 
Cloudlanders |
| 2002-01-26 | 
Thomas Sokolowski: “The Last Temptation: Andy Warhols Art as Belief” |
| 2000-11-30 | 
Day With(out) Art |
| 2001-04-06 | 
Bare Naked Statues in concert |
| 1999-04-15 |
Two Lectures: Ellen Dissanayake and Jack Renard |
| 1999-03-27 | 
Bernard Maisner: “The Art of the Illuminator” |
| 1998-03-22 | 
Renaissance and Modern |
| 1997-11-15 | 
The Role of the Computer in Contemporary Art |
| 1997-07-24 | 
Jennifer Biddle: Body, Country, Canvas: Meaning and Identity in Central Desert Aboriginal Women’s Art |
| 1997-06-07 |
Creativity as Ancestral Mind: Living with the Ancestors |
| 1997-02-27 | 
The Artist and the Theologian Dialogue: The Body of Christ as Veiling and Unveiling the Invisible God |
| 1996-12-01 | 
Day Without Art |
| 1996-05-19 | 
The Artist as Poet: Readings by Edward Boccia |
| 1995-05-20 | 
Ian Friend: “The Edge of Belief” |
| 1995-05-04 | 
Peter Selz: “Degenerate Art” |
| 1995-02-05 | 
Lynn Hague in recital |
| 1994-11-13 |
Terrence Dempsey, S.J.: “The Spiritual in Art in the Time of AIDS” |
| 1994-12-01 |
Day Without Art |
| 1994-11-05 |
Thomas Sokolowski: “The Changing Face of AIDS” |
| 1994-11-01 |
The Amici String Quartet in recital |
| 1994-10-15 | 
Consecrations: The Spiritual in Art in the TIme of AIDS dance program and opening reception |
| 1993-10-29 | 
I Remember Alvin |
| 1993-11-05 | 
An Evening with Katherine Dunham |
| 1992-11-07 | 
The Artist and Sacred Space |