Past Exhibitions SLU

Browse the chronological list of past exhibitions at the Saint Louis University Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click 鈥淰iew鈥� for more information about an exhibition. If you need further information about an exhibition, please contact us.

Name

Erika Diettes: Sudarios

Dates

September 25, 2016 to December 11, 2016

Description

Colombian artist Erika Diettes draws upon her training as both an artist and an anthropologist by bringing forth work originating in the direct testimonies of the families of victims of decades of ongoing violence in her country, as well as in objects belonging to them. For her 2011 series Sudarios, she set up a studio in the province of Antioquia, a region that has endured intense violence. She interviewed at length and photographed women who had been forced to witness the torture and murder of their loved ones. As Diettes notes, 鈥淭he purpose of this kind of violence is not only to kill people, it鈥檚 to create witnesses, instill terror, and control a region.鈥� The resulting twenty photographs are intimate portraits of women reliving 鈥渢he moment that divided her life in two.鈥�

Printed on silk panels over seven feet in height, the images take on a ghostly, ethereal quality that suggests the ways in which grief can leave people 鈥渁live, but not living.鈥� Appropriately, sudario is the Spanish word for 鈥渟hroud,鈥� especially a funerary cloak to cover a deceased body. But the word can also refer to the burial cloth of Christ to which, according to tradition, the image of Jesus鈥� face and body were miraculously transferred. The women become both protagonists and objects of study and contemplation, encompassing pain, loss and mourning. But more than being a testimonial to pain and death, the works also give evidence to life after horrific events. As the artist says, they are also 鈥渢estaments to dignity and to the twin desires of seeking justice and honoring the dead.鈥�

Diettes displays her work in the (frequently poor and isolated) communities where her subjects live, for whom the work often becomes an instrument of mourning and healing. Most often the works are shown in churches, so that, in the words of Charles Guice, 鈥淒iettes elevates their burden to a spiritual one, their suffering acknowledged and dignified in that most sacred of spaces. The larger-than-life-scale overwhelms us, as if to suggest the enormity of the violence that lay hidden behind their eyes, and like martyrs seeking redemption, their presence invites us to share in their burden.鈥�

At MOCRA鈥攐nly the third U.S. site where Sudarios had been exhibited鈥攖he twenty images were suspended from the nearly thirty-foot high ceiling of a building originally used as a chapel. MOCRA was honored to bring these works to St. Louis, a community in which many residents are also living with and addressing traumas both past and present. This exhibition was made possible through the generous assistance of Schneider Gallery, Chicago.

Erika Diettes (b. 1978) is a Colombian visual artist and social anthropologist who explores issues of memory, pain, absence, and death in a variety of mediums from her multidisciplinary perspective. Her work has been exhibited in unique spaces linked to re-memoration processes developed by the victims' movements in Colombia as well as at other venues, including the Museums of Modern Art of Bogot谩, Cali, Medell铆n, and Baranquilla in Colombia, the Museum of Contemporary Art in Santiago de Chile, at the Museum of Fine Arts and the Fotofest Biennial in Houston, the Festival de la Luz in Buenos Aires, the Ballarat Foto Biennale in Australia, the Malta Festival in Pozn谩n, Poland, and at CENTER in Santa Fe, New Mexico. Her work is part of the permanent collections of the Museo de Antioquia (Colombia) and the Museum of Fine Arts Houston, as well as important public and private collections in Colombia and the United States.

My work is inspired by the extremely complex social, political, and cultural situation that exists in Colombia, along with theoretical questions raised by my reaction to the unrelenting violence that my country has experienced for decades. I have decided to bear witness to that violence, and to give the victims鈥攂oth those murdered and disappeared and their survivors鈥攙oice through my art. | Erika Diettes

above:
Installation view of Erika Diettes: Sudarios at MOCRA, 2016. Photo by Jeffrey Vaughn.

Related programming

Erika Diettes: Stories Told from the Threshold

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Watch Erika Diettes: Stories Told from the Threshold

Media

Exhibition
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Georges Rouault: Miserere et Guerre January 26, 2016 to May 8, 2016 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Erika Diettes: Sudarios September 25, 2016 to December 11, 2016 Colombian artist Erika Diettes draws upon her training as both an artist and an anthropologist by bringing forth work originating in the direct testimonies of the families of victims of decades of ongoing violence in her country, as well as in objects belonging to them. For her 2011 series Sud...
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James Rosen: The Artist and the Capable Observer September 26, 2010 to February 13, 2011 Over his six-decade career, James Rosen has produced a body of visually arresting paintings, watercolors, and drawings, that gently invite viewers to stay a while. Rosen seeks "capable observers" who bring to bear their own intellect and imagination in order to observe poetic images that are cond...
MOCRA at Fifteen: Good Friday February 15, 2009 to May 17, 2009 On February 14, 1993, the world鈥檚 first interfaith museum of contemporary art opened its doors. Fifteen years later, Saint Louis University鈥檚 Museum of Contemporary Religious Art (MOCRA) continues to serve as a forum for the ongoing dialogue between today鈥檚 artists and the major faith tradi...
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Miao Xiaochun: The Last Judgment in Cyberspace February 3, 2008 to May 18, 2008 Chinese artist Miao Xiaochun asked himself an interesting question: "How would Michelangelo鈥檚 The Last Judgment appear from behind?" To explore this premise, Miao Xiaochun rendered a 3-D digital model of his own body. Then he mapped this model onto all 400-plus of the figures in Michelan...
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DoDo Jin Ming: Land and Sea September 15, 2005 to December 18, 2005 "Respecting the awesome power and drama found only in the sea," writes curator Catherine Evans, "DoDo Jin Ming creates violent black and white images that transport the viewer to a precipice about to be submerged under a cascade of water. Printing her pictures from a combination of two negatives,...
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Lewis deSoto: Paranirvana April 15, 2000 to November 05, 2000 Lewis deSoto鈥檚 Paranirvana, a 25-foot long image of the reclining Buddha made of a nylon skin and inflated with air, based on a well-known Sri Lankan sculpture. Paranirvana was created especially for the 1999-2000 Bay Area Now 2 exhibition, the second in a planned series of biennial exhibitions...
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Tobi Kahn: Metamorphoses March 8, 1998 to May 8, 1998 Curated by the distinguished art historian Peter Selz, Tobi Kahn: Metamorphoses brings together 37 paintings and 20 sculptures of an artist who extends an American tradition-the distillation of the natural world into elemental forms. Kahn's antecedents in landscape painting include Albert ...
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Keith Haring: Altarpiece 鈥� The Life of Christ April 8, 1995 to May 7, 1995 Keith Haring's work is known throughout the world for its unique and immediately recognizable pictorial language. His often light-hearted art reaches beyond the confines of museums. It can be found in subways, churches, schools, on T-shirts and watches, and even at one time on the Berlin Wall. Ha...
Ian Friend: The Edge of Belief 鈥� paintings, sculpture, and works on paper, 1980鈥�1994 May 19, 1995 to July 2, 1995 MOCRA is honored to present the first American retrospective of Australian artist Ian Friend. Common concerns thread their way through the diverse works in the exhibition: a sense of awe for landscape; an appreciation for ritualistic and protective instruments (e.g., the spears from New Guinea, t...
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Consecrations: The Spiritual in Art in the Time of AIDS October 15, 1994 to February 19, 1995 Consecrations is the first group exhibition that seeks to put AIDS within a spiritual framework. The 28 artists in Consecrations represent the religious, ethnic, cultural, sexual and geographical diversity of this country. Several of the artists are expressing first-hand experience ...
Sanctuaries: Recovering the Holy in Contemporary Art, Part One February 14, 1993 to April 11, 1993 MOCRA鈥檚 two-part inaugural exhibition features more than 100 works from an wide-ranging roster of artists working in styles ranging from traditional Western figuration to minimalist and geometric abstraction. The artists, generally in their 30s, 40s, and 50s, tend to be disillusioned with the c...
Body and Soul: The Alvin Ailey American Dance Theater October 24, 1993 to December 19, 1993 Body and Soul celebrates 35 years of the Alvin Ailey American Dance Theater and its exceptional contributions to contemporary culture. ...
Transformations: Highlights from the MOCRA Collection April 26, 2017 to April 8, 2018 Transformation is an essential element of the creation and experience of art. Artists manipulate materials and perceptions in ways that bring their work, viewers, and themselves to new physical, psychological, and spiritual states of existence. Recognizing and talking about the spiritual and reli...
Georges Rouault: Miserere et Guerre March 8, 2011 to July 31, 2011 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Georges Rouault: Miserere et Guerre March 2, 2003 to May 11, 2003 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Georges Rouault: Miserere et Guerre January 18, 2000 to April 2, 2000 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Georges Rouault: Miserere et Guerre March 21, 1994 to April 26, 1994 Georges Rouault was born in working-class Paris in 1871, and apprenticed as a youth to a stained glass workshop. In late 1890, he enrolled in the 脡cole des Beaux-...
Visible Conservation September 22, 2017 to April 8, 2018 In 2016 MOCRA acquired Michael Tracy's powerful 1981 work Cruz to Bishop Oscar Romero, Martyr of El Salvador. With Visible Conservation, we gave visitors a rare behind-the-scenes glimpse of the process of documenting and cleaning the work prior to its reassembly and first presentation at MOCRA. ...
Highlights from the MOCRA Collection July 25, 2016 to September 3, 2016 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Romare Bearden, Dawoud Bey, Maria Magdalena Campos-Pons, Doug DePice, Robert Farber, Luis Gonz谩lez Palma, DoDo Jin Ming, Dean Kessman, Chris McCaw, Daniel Ramirez, and Susan S...
Highlights from the MOCRA Collection May 30, 2015 to August 2, 2015 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Romare Bearden, Dawoud Bey, Maria Magdalena Campos-Pons, Junko Chodos, Doug DePice, Luis Gonz谩lez Palma, DoDo Jin Ming, Dean Kessman, Frank LaPena, Daniel Ramirez, and Susan S...
Highlights from the MOCRA Collection: The Romero Cross April 21, 2018 to July 28, 2018 Seven months of conservation work culminate in the first public showing at MOCRA of Cruz to Bishop Oscar Romero, Martyr of El Salvador, a major mixed media sculpture by Michael Tracy (b. 1943), who first achieved international recognition in the 1980s, exhibiting in the 1982 Venice Biennal...
Highlights from the MOCRA Collection March 28, 2006 to July 30, 2006 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Seyed Alavi, Luis Gonz谩lez Palma, Steven Heilmer, Anne Minich, Shahzia Sikander, Kazuaki Tanahashi, and other artists. above: Sr. Helen David Brancato, Crucif...
Highlights from the MOCRA Collection June 20, 2004 to August 29, 2004 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Peter Ambrose, Gryphon Blackswan, Daniel Goldstein, Steven Luecking, Gary Passanise, Susan Schwalb, Michael Tracy, and other artists. above: Anne Minich, Annie...
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Highlights from the MOCRA Collection July 29, 1999 to December 22, 1999 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Michael David, Eleanor Dickinson, Steven Heilmer, Charlotte Lichtblau, J. W. Mahoney, Jeffrey Miller, and other artists. above: Michael David, Missing in Actio...
Highlights from the MOCRA Collection January 15, 1998 to February 22, 1998 Enjoy a look at some of the most popular works in the MOCRA collection, along with lesser known gems. Featuring works by Gryphon Blackswan, Heidy Sumei Chuang, Greg Edmondson, Jeffrey Miller, Carl Tandatnick, and other artists. above: Gryphon Blackswan, Chasuble for Mass in the T...
Sanctuaries: Recovering the Holy in Contemporary Art, Part Two 鈥� Three Major Installations April 18, 1993 to August 29, 1993 MOCRA's two-part inaugural exhibition features more than 100 works from an wide-ranging roster of artists working in styles ranging from traditional Western figuration to minimalist and geometric abstraction. The artists, generally in their 30s, 40s, and 50s, tend to be disillusioned with the cel...
Beyond Words: Three Contemporary Artists and the Manuscript Tradition May 24, 2018 to November 12, 2018 MOCRA, in collaboration with the Special Collections division of the Saint Louis University Libraries, presents an exhibition in the Lambert Gallery at St. Louis Lambert International Airport as part of the ...
MOCRA: 25 September 16, 2018 to March 3, 2019 The Museum of Contemporary Religious Art began with an audacious assertion: many of today鈥檚 visual artists engage with the religious and spiritual dimensions in their work鈥攅ven if they sometimes go about it in ways quite different from prior generations. Despite skepticism from mem...
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Surface to Source February 05, 2020 to November 22, 2020 For his first show curated as Director of MOCRA, David Brinker delves into the MOCRA collection, bringing out works that haven鈥檛 been shown in a number of years and juxtaposing them with perennial favorites. The works from the collection are joined by several works on loan. Meanwhile, the remov...
Quiet Isn't Always Peace February 03, 2021 to May 20, 2021 People everywhere were captivated as Amanda Gorman delivered her poem The Hill We Climb on the steps of the Capitol on Inauguration Day. Her cascading cadences of imagery alluded to orators of the past but unequivocally asserted her own voice in addressing the present moment. A short phrase from...
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This Road Is the Heart Opening: Selections from the MOCRA Collection August 24, 2022 to December 18, 2022 The COVID-19 pandemic has illuminated harmful systemic inequities and our responsibility to name and respond to them. Simultaneously, we are recognizing the importance of attending to our own well-being in mind, body, and spirit, a holistic vision of human wellness that Ignatian spirituality refe...
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Past Exhibitions