SLU Playwright Nancy Bell Pens, Produces "MUTE: A Play for Zoom"
Maggie Rotermund
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鈥淢ute yourself.鈥 鈥淲e can鈥檛 see your screen.鈥 鈥淭hat鈥檚 not appropriate for work!鈥 Zoom meetings have led to comedic gold in the weeks since the Novel Coronavirus COVID-19 has forced a dramatic change to office life.
Nancy Bell, a theatre program director in Visual and Performing Arts, mined the pandemic to create the farce 鈥淢UTE: A Play for Zoom.鈥
The play premiered on Zoom in April. 鈥淢UTE鈥 was written expressly for the videoconferencing medium.
鈥淚 have been doing research on farce, and messing around with writing farces for a while,鈥 Bell said. 鈥淲hen COVID-19 struck, and everyone was piling on Zoom, the idea for 鈥淢UTE鈥 came to me whole cloth - an apocalyptic farce on Zoom - and I wrote the first draft in about a week.鈥
Bell said she showed the draft to colleague Lucy Cashion, an assistant professor in theatre, and the duo worked on the dramaturgy and how to make it better.
鈥淚 knew I had to get it produced and out there right away, because it was going to become pass茅 really quickly,鈥 Bell said. 鈥淚鈥檓 lucky that I know some amazing performers here in St. Louis, and I hired my wonderful student, Spencer Lawton, to be our production manager. He helped me assemble the acting company.鈥
Bell said she was aided in the production by a SLU Outstanding Research award from a couple of years ago.
鈥淚 hadn't spent most of that money yet, so I used what was left in my fund to pay Spencer and the actors,鈥 she said. 鈥淥ne of the main reasons I wanted to do it was to funnel some money to local artists who were losing so much income due to canceled shows.鈥
The actors jumped at the opportunity, Bell said, and each rose to the unique challenge of creating a play for Zoom. Each actor had to act as their own scenic, costume and lighting designer, as well as acting their part.
鈥淚 ended up acting as a stage manager and sort of as a camera man, as we used Zoom Webinar, which allows the 鈥榟ost鈥 to switch what all the participants are seeing,鈥 Bell said. 鈥淚 manipulated that in real time during the live performance, sometimes showing the audience a speaker view of one character featured, and sometimes showing all the company at once.鈥
We were doing theatre during a time when theatre was impossible and it felt amazing... It felt defiant to perform live, like an act of resistance.鈥
Nancy Bell, theatre program director
SLU student Jakob Hulten played the part of Dustin. Cashion, who is also the artistic director of ERA theatre company, directed the production.
鈥淚n the age of pandemic what we need to rethink is not our definition of theatre but our interpretation of space,鈥 Cashion said. 鈥淛ust as an actor livestreaming her performance exists both in your screen and in her home, an actor on stage exists both, for instance, in the fields of Agincourt surveying the dead and on the downstage-left boards, three feet from the first-row audience. The actor has always inhabited real and unreal space.鈥
Bell said the cast gathered a half hour early in the webinar, just like they would in a theatre.
鈥淲e didn鈥檛 know if this would work, technically, so I was pretty nervous,鈥 she said. 鈥淲e had a dress rehearsal with an invited audience earlier that day, and it had worked, but you just never know if it would be a good Zoom time or a bad Zoom time.
鈥淲aiting for the show to start 鈥榖ackstage鈥 with the company was magical. We were doing theatre during a time when theatre was impossible and it felt amazing. We theatre folk love our work fiercely, and we miss it so much. It felt defiant to perform live, like an act of resistance.鈥
Bell said an exciting aspect of creating 鈥淢UTE鈥 was the ease with which the team could quickly produce a good show.
鈥淚t was liberating as a playwright to have an idea, write it, and produce a successful show in a couple of weeks,鈥 she said. 鈥淏ut there is no substitute for in-the-flesh performance. There is a reason human beings have been coming together in-person and in real time to share stories since the dawn of civilization. It鈥檚 a human need.鈥
鈥淚 think we are all getting a lesson in how important being with each other in person is. But doing this project, for me, was incredibly exhilarating, because it brought me into collaboration with other artists and the audience in a uniquely liberating way, and I鈥檓 still processing what that will mean for my own art moving forward.鈥